Over the past 30 years, Hélène Binet has travelled the world to photograph historic and contemporary buildings as well as projects in the making. Considered ‘the architect’s photographer’ by many, Binet has worked closely with Zaha Hadid, Daniel Libeskind and Peter Zumthor among others, who have turned to her to interpret their work.

For playwright and director Victoria Gartner, Shakespeare is not merely an icon but rather her calling, her source material and the inspiration for her own work. She renders the Bard’s life and work with warmth and wit for everyone to enjoy, drawing on the power of his plays.

To make live music accessible was their dream. Florence Ettlin and Talitha Abraham combine a love for music with a passion for tech solutions through their start up KALAB. With a hospitality background gained at the Ecole Hôtelière de Lausanne, Florence and Talitha entered the startup world supported by VentureLab and the BCV Silicon Valley Startup Camp. Now based in London, they link the music and hospitality industries through KALAB.

Artist Pascal Sender mixes code and painting to create a meeting point between the generations and the ways in which art can be consumed. Playful and lively, his paintings can be viewed in Augmented Reality. Jumping off the canvas, they move and interact with the viewer, presenting a unique reflection of modern life.

Online education specialist Christina Myers decided to harness the power of video games to make education less boring, more engaging and more fun, and to use this approach to deliver quality education to people who don’t have access to this and to create social sustainable change.

The work of Francesca Baglione and her creation Miss High Leg Kick have their origins in the world of cabaret. Her performances dissolve traditional audience/performance boundaries, with acts that take the spectator out of their comfort zone.

Glass artists Philip Baldwin and Monica Guggisberg, partners in life and work, introduce us to their art and their recently found home in Wales, where they have produced their most ambitious work to date. Over three decades they have explored the medium of glass and broken boundaries, and have ventured into new territories by combining different traditional techniques, creating their own visual language.

In this episode of Creative Heads, contemporary dancer Gilles Geissbühler gives us an insight into the vast spectrum of contemporary dance styles and the ever-evolving nature of contemporary dance. Their passion for performance is also expressed through makeup, where they address identity, gender and the challenges of the LGBT+ community in the digital sphere.

Céline Condorelli plays with art’s boundaries and formats while looking at relationships, structures and mechanisms which often go unnoticed. She seeks to embed her work in spaces of the world rather than gallery spaces, resulting in projects which merge visual arts and architecture with politics, fiction and public space. Find out more about her work by watching this episode of #CreativeHeads.

The practice of artist Uriel Orlow is research-based, process-oriented and multi-disciplinary including film, photography, drawing and sound. His work is concerned with residues of colonialism, spatial manifestations of memory, blind spots of representation and the botanical world as a stage for politics at large.

Born into a family of artists from Switzerland and China, Louis Schwizgebel’s performances are steeped in imagination and rich in colour and musical insight. A refined pianist, Louis is repeatedly hailed for the clarity of his playing and his exceptional finger work.

In this episode of Creative Heads Bruno Maag, chairman of Dalton Maag, explains what he is passionate about in type design. Maag co-founded and now chairs Dalton Maag, an independent type design studio with a team of over 40 type designers, font developers, creative directors, software engineers and support staff, spanning 20 nationalities and speaking 12 languages.

Fabienne Gassmann is a designer working at the intersection of fashion, craft and social commentary. She applies her craft commercially in bespoke costume making,catwalk showpieces and her own design practice with a strong focus on sustainability and slow production. Gassmann is interested in stretching theindustry-led definition of fashion by focusing on the value of crafts.

In this edition of Creative Heads, Parasol Unit’s Founder and Artistic and Executive Director Ziba Ardalan looks back on 16 years of exhibitions, publications and educational events at her not-for-profit art institution and educational charity in London, explaining how her belief in art as an educational tool informed Parasol Unit’s direction.

In this edition of Creative Heads, watch Ta’Shan (aka Bombay Mami) tell us how her passion for music led to a career.

This edition of Creative Heads offers a look into the work and life of the Swiss graphic designer turned baker Alexandre Bettler.

This edition of Creative Heads offers a look into the work and life of writer and performer Michael Fehr.

For this episode of Creative Heads we offer you a glimpse into the remarkable life of music philanthropist Ursula Jones OBE. Jones moved to London from her home town of Lucerne in the 1950s and took up a job with the Philharmonia Orchestra of London soon after her arrival. Watch this episode of Creative Heads to learn how her love for music led to a career in the music business and evolved into a passion for philanthropy.

In this edition of Creative Heads, Daniela Neugebauer speaks about her love for movement and the magic of dance.

In 2015 Swiss artist Céline Amendola founded an independent artist-run gallery in Glasgow with two friends, Adam Lewis Jacob and Michael White. Operating out of a shared apartment, their intention has been to diversify the make-up of Glasgow’s art scene by hosting exhibitions and performances by emerging local and international peers who are not currently afforded a voice by the city’s established curatorial circles.